Max Headroom is a fictional British artificial intelligence, known for his surreal wit and stuttering, distorted, electronically sampled voice.
WHO IS MAX HEADROOM FREE
£5 or free to our Members.George Stone, Annabel Jankel, Rocky Morton
WHO IS MAX HEADROOM SERIES
We're working on what-ifs? 'What if Max Headroom was a man? What if he were computer generated? What if we used five minutes of our pop video show each week to tell the story of how he got that way.' "Ĭulture Now is a weekly series of talks and conversations between artists, curators, writers, thinkers directors and other cultural activists, freshly programmed every Friday lunchtime in the ICA Cinema or Studio. The sun is shining and we're all laughing. I'm outside a pub in North London with Rocky and Anabel. In the Blue Corner we have the neuron, in the Red the transistor. The notion of loops and self-referential systems is explored brilliantly in Godel, Escher, Bach. Words contain meaning, don't they? And what is meaning built upon? More words. For the first time my actions generated a response in an electronic world made entirely of words. Their work made the ends of my fingers tingle. It's all about thinking through the what-ifs?Ĭrowther and Woods lit (and extinguished) the torch. If you get the science right then "predictions" become inevitable. In The Final Program Jerry Cornelius achieves unity with a machine.
In Counterfeit World we are taken inside a simulation much like The Matrix. Clarke shows us an electronic D&D type environment. Mrs Montag has a role in an interactive soap opera. In Fahrenheit 451 the Montag family live surrounded by television. The reason the cameras are here is because in a moment or two, that door is going to open and whomsoever will appear and tell us how it is.
WHO IS MAX HEADROOM TV
Epstein called News from Nowhere published in the 80's which examines the emergence of TV news and the implicit conspiracy between news-gatherers and news makers. The initial brief from Andy Park at Channel 4 was for a thirteen week series that would provide a context for pop videos. What came first was the notion of a fictional TV landscape made up of televangelists, sports jocks, chat show hosts and news anchors interspersed with pop videos. The mood mind music in Johnathon Lethem's Gun with Occasional Music. We don't have to understand what we are photographing as long as we have the photograph as evidence.Įchoes from later. There is a hierarchy that begins with data and ends with knowledge. The notion that someone might be able to connect it all is central to the Max story. The pervasiveness of this network was what was interesting. The pain expressed at the time was all about the lousy bandwidth of copper. And cable was beginning to creep along the railways and through the streets. Satellites were flying and suddenly, by looking up the world came in. "It's a word on a page, a word on a list, Max Headroom. What follows is an excerpt from Stone's further thoughts on Headroom and the cultural climate in which he was created, from his point of view. At our recent Culture Now: Twenty Minutes Later, Rocky Morton, Annabel Jankel and George Stone discussed their involvement in creating the ground-breaking 80s virtual personality, Max Headroom.